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On 11/9/2025 at 2:11 AM, Lord Nord in Gravis Armour said:

 

 

Otherwise, as I said - the Blood Angels lost four of their company captains along with their two non-company captains who led the chapter fleet. They lost their Deputy High Chaplain and almost all of their Sanguinary Guard. The survival of most of the rest was due more to completely avoiding the Devastation than surviving it.

 

 

So if i am reading you right, they lost all the characters on baal who were wearing red shirts armor? 

 

Dante-Gold so died but got better in a classic spock twist.

Mephiston red but trapped off screen (he wasnt available for filming).

Astorath red but not there.

Corbulo white so safe.

Lemartes black so safe.

Karlean red but not there.

 

If only the rest of the chapter characters had know the Tyranids were playing by Star Trek rules (this is a joke please dont @ me about how the sanguinary guard died or the death company wear black, etc). 

 

Jokes aside they lost everyone who doesnt have a mini/doesnt get novels. Some of them make more sense then others, but really it cements the Named Special Characters are the safest job in 40k. If you have a mini your practically impossible to kill, best case you get kidnaped or 'reported lost'.

 

 

 

 

9 hours ago, darkhorse0607 said:

Circling back because I'm still not over it 

 

I rest my case 

RDT_20251109_18552898101190069852130.jpg

 

Damn, that actually put into perspective why I have such a "meh" feeling about Titus becoming more prevalent since the SM2 success. I liked him a good amount in SM1, but it's definitely retreading a lot of the Ventris beats at this point, while egging out established characters who should be doing those jobs instead.

 

Considering that the Uriel Ventris mini was pulled from sale, too, just before Titus gets his second (after the awful first model), it leaves a bad taste. Frankly, anything to do with the Nightbringer should have been Uriel's job. Heck, Swords of Calth is basically opening that arc for him already!

35 minutes ago, theSpirea said:

And it might explain why McNeill wasn't asked to write more for Uriel. Titus is the name now that people are familiar with, especially those new to the hobby so of course that's going to sell better

 

Yeah I was thinking about that last night after I posted the meme. I don't think they went to McNeill and said "yeah, thanks for your work but we're taking this for someone else"

 

but 

 

It does kind of feel like that a little bit, and regardless if it was said or not, McNeill isn't blind and tends to be online quite a bit, so I doubt he's going to go long without seeing the comparisons. I can't imagine that writing a character since 2002 just to have another one basically take his story would feel great, especially as he's waiting for the greenlight to do another Ventris trilogy. And then even if he does get the go ahead, there's going to be a lot of "oh this guy is just like Titus" even though it's the reverse

 

in my conspiracy theory mode, they're going to take the proposed trilogy and have it be about Titus instead

8 minutes ago, darkhorse0607 said:

 

Yeah I was thinking about that last night after I posted the meme. I don't think they went to McNeill and said "yeah, thanks for your work but we're taking this for someone else"

 

but 

 

It does kind of feel like that a little bit, and regardless if it was said or not, McNeill isn't blind and tends to be online quite a bit, so I doubt he's going to go long without seeing the comparisons. I can't imagine that writing a character since 2002 just to have another one basically take his story would feel great, especially as he's waiting for the greenlight to do another Ventris trilogy. And then even if he does get the go ahead, there's going to be a lot of "oh this guy is just like Titus" even though it's the reverse

 

in my conspiracy theory mode, they're going to take the proposed trilogy and have it be about Titus instead

I think part of working in IP fiction is accepting that you have minimal to no control over your creations. Lots of creators couldn’t do it. Can you imagine someone like James Cameron or Thomas Pynchon surrendering control of their work? But McNeill’s spent decades working across various IPs, I can’t imagine this is the first time he’s experienced being a cog in a much larger creative machine. 

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