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  • 1 month later...

Here's something a litte bit different.

 

A marine of the Executioners Chapter that started as throwaway, test miniature, and ended up being a fun excercise in playing with colour and painting in a slightly more free, more improvised way.

 

This was originally started over a year ago, as a test miniature to try out a colour scheme for an old client. So at the beggining it was painted in a sloppier, less precise way than what I usually try to do with my marines. But as the miniature and it's colours started to come together and as I saw how much fun I had painting it, I decided to finish it as a display figure, but continuing that style of a more spontaneuos painting that places less emphasis on precise brushstrokes and crispness, and more on playing with colour, contrast, atmosphere and applying paint in a less calculated way.

 

One of the main inspiration for this was the style of Roman "Jarhead" Lappat of Massive Voodo fame, whose minis rarely display the kind of brush stroke precision that a lot of painters strive for, and yet are always full of great colour combinations, atmosphere and "painterly" style.

 

The figure and parts of it's base were finished long time ago, but my illness and backlog of commissioned projects took my away from it for over a year, until last week I decided to quickly add some finishing touches in form of a display plinth, since I was working on a couple of plinths for clients anyway.

 

While personally my tastes are aligned more with 'Eavy Metal like precision, this definitely was a fun way to spice things up a bit.

 

http://i.imgur.com/qHmn5Gx.jpg

http://i.imgur.com/pnDWZVq.jpg

http://i.imgur.com/hSLoetP.jpg

http://i.imgur.com/BS71vQK.jpg

http://i.imgur.com/Gu3eME3.jpg

http://i.imgur.com/kWvHp9Y.jpg

http://i.imgur.com/8xj8rzM.jpg

http://i.imgur.com/aQWLkiR.jpg

At this point the quality is expected, yet I am constantly blown away.

 

I don't know about anyone else, but it really invigorates me to paint up some PA. Here is to hoping you'll share some recipes, tips and tricks!

 

Still crossing my fingers you do some justice on a Relictors marine ;)

 

Keep up the inspiring work.

Here is to hoping you'll share some recipes, tips and tricks!

 

 

I don't have the time edit any dedicated, step-by-step tutorials, but I am happy to answer any questions regarding the techniques or paint schemes you guys see in any of the minis posted here.

jawdrop.gif

By Dorns balls!

Never seen anything like that. I love the empty eye socket! Amazing!

Now, I'll see through this thread to see what lurks in there. biggrin.png

*edit*

Finished.

Outstanding work, mate! I have no likes left since page 8. Just feel "liked", ok?

And please, never stop! :D

  • 4 months later...

Just like the Executioner Marine I've posted a while ago, this Brazen Claw Battle Brother was also a personal project that I've finished a few years ago, but only now got around to photographing it. Painting area highlights on a halfed colour scheme is a pain in the ass. The idea for flaming battlefield base and purity seals flowing in the wind, came from a friend of mine who did a similar thing on the base of his Chaos Heldrake, to great effect.

 

I am very happy with the final result, though there is one thing I would have done differetly if I was painting him again. Originaly I went for a very Eavy Metal style, high contrast finish, but I overdid it with the edge highlights, bringing them almost to pure white on both sides of the colour scheme, which at first gave him too much of a cartoony finish. It had to be toned down by multiple layers of glazes, but the amount of glazing required to tone down such agressive highlights was so large, that I ended up with signs of "wash flooding" visible in some of the recessed areas.

I am talking about that smooth, glossy surface that sometimes occures when you let too much wash pool in one area. Also, the main body (which came from Forge World mk IV commander) was a bit...shoddy. FW unfortunately has a knack for producing some really crappy casts from time to time, and this was one of them. So while it may not be the best mini I've ever painted on a technical level, but as far as overall look and "feel" go, I think it's one of my favourites.

 

If you like him, please leave a vote here:

http://www.coolminiornot.com/402392

 

 

http://i.imgur.com/OyhvYys.jpg

http://i.imgur.com/J5rejCW.jpg

http://i.imgur.com/ggMiV9O.jpg

http://i.imgur.com/HZgILs6.jpg

http://i.imgur.com/tT9SHqK.jpg

http://i.imgur.com/PCHHlor.jpg

http://i.imgur.com/lo4kR4X.jpg

http://i.imgur.com/9PPzY4r.jpg

http://i.imgur.com/JgSwqzE.jpg

Mein Gott, that's incredible! I don't see any of the criticisms you mentioned, it just looks fantastic in every area. Did you make the purity seal parchments from green stuff? The base is also amazing with the flames and subtle OSL around the feet and lower legs. Great work!

The flames were cut from the arm of a plastic Tzeench Flamer:)

 

I glued them to the base and painted them white. After the white dried, I covered it with a light, transparent glaze of yellow, and then started 'reverse highlighting' the flames, starting with the lightest colours and making my way up to the darkest. Meaning that the inner core of the flames was white/yellow'ish, the middle was orange, the outer licks of flame were red, and then the very tops were dark brown. Similar to this:

http://taleofpainters.blogspot.com/2014/08/tutorial-how-to-paint-fire-flame.html

 

As for the light effect around the flames. I first drybrushed the immediate area surrounding the flame with pure white, in a way that the ground closest to the flame had the most white on it, and the rubble further apart, only caught the white drybrush on the edges. After that I prepared two transparent glazes - one red, and one orange and simply painted three rings of glaze around the flame. The area closest to the flame recieved a circular glaze of thin, tranparent orange, which combined with the heavy white drybrush resulted in a yellow effect. The area slihtly further apart receieved a more concentrated layer of orange, so that it actually looked orange, instead of yellow. And then finally the ground furthest apart from the flame, that had very little (or none) of the white drybrush on it, receieved a thin glaze of red.

 

After it was all done, I returned to the "core" of the flames and added some touch ups with pure white.

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